Improvisation workshops in English
Next up in Copenhagen
Saturday 24 October 2026
10am–2pm
PURE IMPRO!
Improvisation as pure as it gets. Self-sustained. Not waiting for anything or anyone.
The challenge: we have four hours to build from the ground up a state of play without restraint: full characters, big imagination, choices made out loud and stood by.
The name of the game is full commitment – to a sense of character, an impulse, a frankly bad idea – and not taking it back. Most improvisers stay safe, reasonable, and (let’s face it) predictable. This is where the wild pigs fly.
What we work on
- getting into a state of full attention
- maintaining the body as source of play
- standing by choices we didn’t know we were making
- playing what occurs to us without holding back
For performers who want to stop playing it safe.
Open to those who have done Substance, or who have stage experience.
Bring a sense of humour.
Rytmisk Center, Vesterbrogade 107 E, 1620 København V
10am–2pm • 8 places • 750 DKK

About Caspar Schjelbred
Caspar Schjelbred has been teaching improvisation and physical acting for more than twenty years – in Paris, internationally, and now in Copenhagen. He co-directed Impro Academy Paris and is the founder of Impro Supreme.
Can’t make it? Leave your address below and I’ll let you know when the next ones are set.
SUBSTANCE
Next date to be determined
Play from what’s already there – before any idea.
You never start from nothing. Before you invent anything, there is already space, movement, posture, rhythm, a state of emotion. Substance is the work of seeing and feeling what’s present, and playing from that, instead of reaching for an idea.
Most improvisers play from the head: decide, then execute. These four hours train the opposite reflex: use your body first, act before the idea arrives. Playing becomes clearer, steadier, more your own.
What we work on
- perceiving precisely what’s already there
- letting the body organise action before the mind decides
- staying with what’s happening instead of filling the silence
- playing from real experience, not invention
For performers whose playing leans too hard on ideas.
Open to all – no previous experience required.
Patience needed.
